Lens attached to camera as used for Kubrick's Barry Lyndon The Carl Zeiss Planar 50mm f /0.7 is one of the largest relative aperture ( fastest ) lenses in the history of photography .  The lens was designed and made specifically for the NASA Apollo lunar program to capture the far side of the Moon in 1966. Kubrick's f/0.7 lenses now available for rent (but start Aug 06, 2013 · Kubrick's f/0.7 lenses now available for rent (but start saving up) Barry Lyndon: Use of the Mitchell BNC Camera and Zeiss Lenses The fixed lens camera market
TIME magazine on Barry Lyndon and its director: “In a December 1975 cover story, TIME Magazine examines Barry Lyndon and the many paradoxes of Stanley Kubrick, covering the filmmaker’s Herculean task in bringing the 18th century novel by William Makepeace Thackeray to the screen and the near impossibility of selling a three hour art film The Zooms in Barry Lyndon - Jeffrey Scott Bernstein The Zooms in Barry Lyndon INTRODUCTION First, some fundamental points about camera movement in the cinema. A ZOOM is an in-camera effect of a variable focal length lens. The zoom lens can move in on or draw back from details visible in the field of view, either
A Sword in the Bed - page 2 - TheASC The custom-made instruments were actually still camera lenses developed for use "We discussed the idea of using the f0.7 lenses from Barry Lyndon, but they Barry Lyndon Candle lit scenes - REDUSER.net fast lenses in Google and note that the Kubrick movie Barry Lyndon is you would use a f/1.4 lens on a camera rated or film stock rated at The History of High Speed Cine Lenses - CinemaTechnic 16 Feb 2016 That lens was used to shoot the candlelight scenes in 1975's Barry Lyndon. This article relates the history of Carl Zeiss' development of high
Jun 14, 2004 · The problem with that particular Leica lens I think is the vignetting and the coma. This probably can be attributed to the fact that leica had to design the lens as small as possible. It is, in fact heavier than the leica M6 camera itself and so is very special range finder camera lens (especially being just a standard lens). Barry Lyndon (1975) - Stanley Kubrick Website
Aug 06, 2013 · Kubrick's f/0.7 lenses now available for rent (but start saving up) Barry Lyndon: Use of the Mitchell BNC Camera and Zeiss Lenses The fixed lens camera market How Stanley Kubrick Shot Barry Lyndon - Filmmaker Magazine (Note: unfortunately, that previous video has been removed by the uploader.) Here's the next in a Kubrick cinematography playlist: various cinematographers on his use of the BNC camera and Zeiss f/0.7 lenses to shoot Barry Lyndon in natural light.
Kubrick's Innovations - Design Museum
Jul 17, 2016 · But first we need to see what camera the lens connects to. The lens connects to a Mitchell 35mm camera that Kubrick bought when he was filming Barry Lyndon. Here is the thing, Kubrick wanted to shoot it all with natural light, including the interior candle light scenes, so he needed a really fast lens.
18 Aug 2018 Vivian Kubrick shows Stanley's legendary Carl Zeiss Planar 50mm f/0.7 lens used for Barry Lyndon. Eyes On Cinema. Loading Unsubscribe Barry Lyndon (1975) Technical Specifications » ShotOnWhat? 27 Oct 2019 Barry Lyndon (1975) tech specs : shot on ARRIFLEX 35 BL Camera, Mitchell BNC Camera and Carl Zeiss Planar 50 mm f0.7 Lens (Modified by Stanley Kubrick used a NASA-inspired lens to film by candlelight 7 Aug 2019 The camera used two lenses to simultaneously expose a wide-angle. made a movie with scenes lit only by candlelight with it (Barry Lyndon). Story Behind the f0.7 Lens - Barry Lyndon | Camera Lens
The History of High Speed Cine Lenses - CinemaTechnic
Photographing Stanley Kubrick’s Barry Lyndon - The American